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dc.contributor.authorNEGRETE YANKELEVICH, SANTIAGO-
dc.contributor.authorMORALES ZARAGOZA, NORA ANGELICA-
dc.coverage.spatial<dc:creator id="info:eu-repo/dai/mx/cvu/398117">SANTIAGO NEGRETE YANKELEVICH</dc:creator>-
dc.coverage.spatial<dc:creator id="info:eu-repo/dai/mx/ca/1342917">NORA ANGELICA MORALES ZARAGOZA</dc:creator>-
dc.coverage.temporal<dc:subject>info:eu-repo/classification/cti/5</dc:subject>-
dc.date.accessioned2020-07-09T13:55:36Z-
dc.date.available2020-07-09T13:55:36Z-
dc.date.issued2014-
dc.identifier.citationFifth International Conference on Computational Creativity. Ljubljana, Slovenia, 9th – 13th June 2014en_US
dc.identifier.urihttp://ilitia.cua.uam.mx:8080/jspui/handle/123456789/620-
dc.description.abstractIn this paper we introduce and discuss the apprentice framework, which we speculate can be used to plan and evaluate computational creativity projects. The framework defines a sequence of phases a system must follow in order to reach a level of creativity acceptable to a set of human judges. It also establishes four aspects of a creative piece susceptible of creative work. We mention some examples from different artistic disciplines. Our work focuses on establishing an environment as well as a team of people and machines to foster, study and monitor the emergence of creativity.en_US
dc.description.sponsorshipFifth International Conference on Computational Creativityen_US
dc.language.isoInglésen_US
dc.publisherFifth International Conference on Computational Creativityen_US
dc.relation978-961-264-055-2-
dc.rightshttp://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//13.4_NegreteYankelevich.pdf-
dc.subjectCreatividad - Pensamiento creativoen_US
dc.titleThe apprentice framework: planning and assessing creativityen_US
dc.typeLibroen_US
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